FROZEN, 2026
The work was part of the exhibition COCKROACHES, at the Ponto de Fuga Gallery.
Inkjet printing on colored paper, 200 plastic lunchbox containers, acrylic paint and enamel on papier-mâché.
COCKROACHES, 2026
Co-authored by Nina Lins
Exhibition selected for the Ginger Campari Photography and Graphic Arts Award, promoted by the Ponto de Fuga Gallery.
Poster collage (screen printing on paper), screen printing on bags, mixed media.
GRAPHIC INFESTATION
"Between resilience and disposal, the project investigates the polysemy of the word 'cockroach': from the insect that survives in urban cracks to the economic concept of low cost. The artists use unconventional supports - such as industrial waste and disposable materials - to print graphic narratives, both literal and symbolic, about the world of work, bureaucracy, and precariousness. On stage, female characters subvert the corporate masculinist imaginary, responding to supposed fragility with revolt and protagonism."
Ctrl C + Ctrl V (HQ), 2025
The zine is a comic book adaptation of the short film Ctrl C + Ctrl V.
Synopsis: In a post-Warhol future, Graça works for a corporation that monopolizes art. Amidst briefings and endless workdays, he questions his place as an artist and worker in a world where creation has been transformed into a commodity.
Laser printing on paper
21 x 14.8 cm
24 pages
Ctrl C + Ctrl V (Short), 2025
Text co-authorship: Murillu Marcelus
Voice: Anna Talebi
Mixing: Thiago Taboada
The short film originated from a talk presented at the seminar Art and Capital, organized by the research group Following the End of Art in May 2025 at the São Paulo School of Sociology and Politics Foundation (FESP).
Synopsis: In a post-Warhol future, Graça works for a corporation that monopolizes art. Amidst briefings and endless workdays, he questions his place as an artist and worker in a world where creation has been transformed into a commodity.
Short Film
15'
Proeiro, 2024
The work was part of the group exhibition A volta ao dia em 80 mundos (Around the Day in 80 Worlds), at Caroço Projeto (@carocoprojeto).
Curated by: Chico Sol.
"What is proposed in 'Around the Day in 80 Worlds' is to try to identify some of these drifts, these things that repeat themselves, of what becomes one alone but also becomes another 80 when related to itself and to the other. The world becomes one through this combinatorial analysis of thefts, borrowings, displacements, dazzling moments, memories and so many other phenomena that are possible and impossible to name." ( full text )
150 x 190 x 170 cm
Durex tape, ribbons, and inkjet printing on cardboard, PVC pipes, and metal rods.
Dancing in the Dark , 2024
The work was part of the group exhibition Campina Brutal, at the Massapê Projetos space (@massape_projetos).
Curated by: Caio Bonifácio
"It seemed that the works displayed a certain brutality, and this clearing was shaped by fatal refusal: to simple pleasure, to understanding, to positive resolution. Perhaps because of the city they inhabit, the city they circulate in." ( full text )
185 cm x 100 cm x 60 cm
Inkjet printing, various ribbons on cardboard.
Lalaland, 2023
The work was part of the collective exhibition Blecaute at the Cratera arts and culture space (@cratera.sp).
140cm x 310cm
Inkjet printing and various ribbons
Jogadoras, 2023
Inkjet printing, acrylic and cardboard
Big Can, 2023
185 x 300 x 50 cm
Screen printing on aluminum foil and cardboard boxes.
Cans [series ] , 2022
21 x 42 cm
Screen printing on laminated paper.
Sink SP, 2022
The work was part of the group exhibition Revés at the Cratera arts and culture space (@cratera.sp).
Curated by: Mariane Beline
300 x 400 cm
Screen printing, acrylic and Indian ink on paper
Invitation to a Murder, 2021
Collaboration and layout by Nikolas Suguiyama
This publication was presented as part of a Final Project for obtaining a Bachelor's degree in Visual Arts. It is a research project on detective novels from the "golden age," especially those of Agatha Christie, accompanied by digital collages made from the covers of her books, which attempt to elaborate on this visual universe.
Full text
Digital
Din [series], 2021
Playground / Ship / Wheel / Box / Treadmill
Transparent tape and inkjet printing
196 x 150 cm / 177 x 220 cm / 138 x 145cm /
130 x 170 cm / 103 x 294 cm
Mummies , 2021
215 x 130 cm
Transparent tape and inkjet printing
Gaijin , 2019
Co-authored by Nikolas Suguiyama
The book was featured at the 2019 ZUM Photobook Festival of the Moreira Salles Institute (IMS). The entire book can be consulted at the IMS library in São Paulo.
20 x 15cm
Book
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Transfers
Grade, 2017 / Blue Train, 2019 / Technicians, 2019 / Untitled (Dictatorship), 2019
Photographic print transfer onto canvas
177 x 193 cm / 150 x 280 cm / 170 x 300 cm / 72 x 90 cm
Untitled (double) , 2019
135 x 296 cm
Oil on canvas
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Untitled (dinner ) , 2018
37 x 50 cm
Graphite on plaster on panel
Mr. Ono , 2018
50 x 70 cm
Glycerin , beeswax and synthetic enamel on plaster on panel
Dogs, 2017
Untitled (basin) / It's tough / Crazy dog / Untitled (cutouts)
Oil on canvas, photographic transfer, acrylic and graphite on paper.
156 x 120cm / 168 x 120cm / 174 x 120cm / 166 x 220cm
Machines [series], 2015-2016
#1 / #2 / #3 / #4 / #5 / #6 / #7
Charcoal and pastel chalk on paper
66 x 66cm / 66 x 96cm / 66 x 96cm / 66 x 47cm / 66 x 47cm / 50 x 35cm / 50 x 35cm
Machines (Ink washes) [series], 2015
Various sizes: 21 x 29.7cm; 21 x 29.7cm; 42 x 29.7cm
Ink wash, gouache, graphite, and charcoal on paper
Bathtubs [series] , 2015
21 x 29.7 cm and 29.7 x 42 cm
Indian ink and graphite on paper